The Coronation of the Virgin, by Fra Beato Angelico, seems to have
been painted by an angel rather than by a mortal. Time has not tarnished the
ideal freshness of this painting, delicate as a miniature in a missal, and whose
tints are borrowed from the whiteness of the lily, the rose of the dawn, the
blue of the sky, and the gold of the stars. No muddy tones of earth dull these
seraphic beings composed of luminous vapours. Upon a throne with marble steps,
the varied colours of which are symbolic, Christ is seated, holding a crown of
rich workmanship which he is about to place upon the head of his divine mother,
kneeling before him, with her head modestly inclined and her hands crossed upon
her breast. Around the throne,
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trumpet, the theorbo, the
angelot, and the
viola d' amore. A light
flame flutters about their heads and their great wings palpitate with joy at
this glorious coronation which will transform the humble handmaid of the Lord
into the Lady of Paradise. To the left, an angel kneels in prayer. In the lower
part of the painting with faces uplifted to the sky the hosts of the blessed,
distributed in two groups, adore and contemplate. On one side, are Moses, Saint
John the Baptist, the apostles, the bishops, and the founders of orders,
distinguished by some emblem, and for greater certainty bearing their names
inscribed around their nimbus,
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Saint Dominick holds a branch of lilies and a book. A sun forms the agrafe of
Saint Thomas Aquinas's mantle; Charlemagne, "
l'empereur à la barbe
fleurie," is recognizable by his crown of
fleur-de-lis. Saint
Nicholas, bishop of Myra, has by his side the three balls of gold, symbolic of
the three purses which he gave to a poor gentleman to dower his three daughters
whose beauty exposed them to dangers. On the other side, throng King David,
apostles, martyrs, Saint Peter the Dominican with his wounded head, Saint
Laurence holding his gridiron,
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George armed from head to foot; then, in the foreground of the picture, is the
charming group of saints of perfectly celestial grace: the kneeling Magdalen
offers her vase of perfumes; Saint Cæcilia advances, crowned with roses; Saint
Clara gleams through her veil, constellated with crosses and golden stars; Saint
Catherine of Alexandria leans upon the wheel, the instrument of her execution,
as calmly and peacefully as if it were a spinning-wheel; and Saint Agnes holds
in her arms a little white lamb, the symbol of innocent purity.
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The Coronation of the Virgin.
Fra Angelico.
Fra Beato Angelico has given to these youthful saints a celestial and ideal
beauty, whose type exists not upon this earth: they are visible souls, rather
than bodies, they are thoughts of human form enveloped in these chaste draperies
79of white, rose, and blue, sown with stars and
embroidered, clothed as might be the happy spirits who rejoice in the eternal
light of Paradise. If there be paintings in Heaven, surely they must resemble
those of Fra Angelico.
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Guide de l'Amateur au Musée du Louvre (Paris, 1882).
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