§ 25. Such, then, being the characters required in order to constitute high
art, if the reader will think over them a little, and over the various ways in
which they may be falsely assumed, he will easily perceive how spacious and
dangerous a field of discussion they open to the ambitious critic, and of error
to the ambitious artist; he will see how difficult it must be, either to
distinguish what is truly great art from the mockeries of it, or to rank the
real artists in any thing like a progressive system of greater and less. For it
will have been observed that the various qualities which form greatness are
partly inconsistent with each other (as some virtues are, docility and firmness
for instance), and partly independent of each other; and the fact is, that
artists differ not more by mere capacity, than by the component elements
of their capacity, each possessing in very different proportions the several
attributes of greatness; so that, classed by one kind of merit, as,oil paintings for sale, for
instance, purity of expression, Angelico will stand highest; classed by another,
sincerity of manner, Veronese will stand highest; classed by another, love of
beauty, Leonardo will stand highest; and so on; hence arise continual disputes
and misunderstandings among those who think that high art must always be one and
the same, and that great artists ought to unite all great attributes in an equal
degree. cheap oil paintings
§ 26. In one of the exquisitely finished tales of Marmontel, a company of
critics are received at dinner by the hero of the story, an old gentleman,
somewhat vain of his acquired taste,and his niece, by whose incorrigible natural
taste, he is seriously disturbed and tormented. During the entertainment, "On
parcourut tous les genres de littérature, et pour donner plus d'essor a
l'érudition et à la critique, on mit sur le tapis cette question toute neuve,
sçavoir, lequel méritoit le préference de Corneille ou de Racine. L'on disoit
même là-dessus les plus belles choses du monde, lorsque la petite nièce, qui
n'avoit pas dit un mot, s'avisa de demander naïvement lequel des deux fruits, de
l'orange ou de la pêche, avoit le gout les plus exquis et méritoit le plus
d'éloges. Son oncle rougit de sa simplicité, et les convives baissèrent tous les
yeux sans daigner répondre à cette bêtise. Ma nièce, dit Fintac, a votre âge, il
faut sçavoir écouter, et se taire."
I cannot close this chapter with shorter or better advice to the reader, than
merely, whenever he hears discussions about the relative merits of great
masters, to remember the young lady's question. It is, indeed, true that there
is a relative merit, that a peach is nobler than a hawthorn berry, and
still more a hawthorn berry than a bead of the nightshade; but in each rank of
fruits, as in each rank of masters, one is endowed with one virtue, and another
with another; their glory is their dissimilarity, and they who propose to
themselves in the training of an artist that he should unite the coloring of
Tintoret, the finish of Albert Durer, and the tenderness of Correggio, are no
wiser than a horticulturist would be, who made it the object of his labor to
produce a fruit which should unite in itself the lusciousness of the grape, the
crispness of the nut, and the fragrance of the pine. art oil paintings
§ 27. And from these considerations one most important practical corollary is
to be deduced, with the good help of Mademoiselle's Agathe's simile, namely,
that the greatness or smallness of a man is, in the most conclusive sense,
determined for him at his birth, as strictly as it is determined for a fruit
whether it is to be a currant or an apricot. Education, favorable circumstances,
resolution, and industry can do much; in a certain sense they do
everything; that is to say, they determine whether the poor apricot shall
fall in the form of a green bead, blighted by an east wind, shall be trodden
under foot, or whether it shall expand into tender pride, and sweet
brightness of golden
velvet. But apricot out of currant,—great man out of small,—did never yet art or
effort make; and, in a general way, men have their excellence nearly fixed for
them when they are born; a little cramped and frost-bitten on one side, a little
sun-burnt and fortune-spotted on the other, they reach, between good and evil
chances, such size and taste as generally belong to the men of their calibre,
and the small in their serviceable bunches, the great in their golden isolation,
have, these no cause for regret, nor those for disdain. wholesale oil paintings
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