§ 7. To this inherent shortcoming and narrowness of reach the farther defect
was added, that this work gave no useful representation of the state of facts in
the country which it pretended to contemplate. It was not only wanting in all
the higher elements of beauty, but wholly unavailable for instruction of any
kind beyond that which exists in pleasurableness of pure emotion. And
considering what cost of labor was devoted to the series of drawings, it could
not but be matter for grave blame, as well as for partial contempt, that a man
of amiable feeling and considerable intellectual power should thus expend his
life in the declaration of his own petty pieties and pleasant reveries, leaving
the burden of human sorrow unwitnessed; and the power of God's judgments
unconfessed; and, while poor Italy lay wounded and moaning at his feet, pass by,
in priestly calm, lest the whiteness of his decent vesture should be spotted
with unhallowed blood. decorative paintings
§ 8. Of several other forms of Purism I shall have to speak hereafter, more
especially of that exhibited in the landscapes of the early religious painters;
but these examples are enough, for the present, to show the general principle
that the purest ideal, though in some measure true, in so far as it springs from
the true longings of an earnest mind, is yet necessarily in many things
deficient or blamable, and always an indication of some degree of
weakness in the mind pursuing it. But, on the other hand, it is to be noted that
entire scorn of this purist ideal is the sign of a far greater weakness.
Multitudes of petty artists, incapable of any noble sensation whatever, but
acquainted, in a dim way, with the technicalities of the schools,paintings for sale, mock at the
art whose depths they cannot fathom, and whose motives they cannot comprehend,
but of which they can easily detect the imperfections, and deride the
simplicities. Thus poor fumigatory Fuseli, with an art composed of the tinsel of
the stage and the panics of the nursery, speaks contemptuously of the name of
Angelico as "dearer to sanctity than to art." And a large portion of the
resistance to the noble Pre-Raphaelite movement of our own days has been offered
by men who suppose the entire function of the artist in this world to consist in
laying on color with a large brush, and surrounding dashes of flake white with bituminous
brown; men whose entire capacities of brain, soul, and sympathy, applied
industriously to the end of their lives, would not enable them, at last, to
paint so much as one of the leaves of the nettles at the bottom of Hunt's
picture of the Light of the World. oil paintings
§ 9. It is finally to be remembered, therefore, that Purism is always noble
when it is instinctive. It is not the greatest thing that can be done,
but it is probably the greatest thing that the man who does it can do, provided
it comes from his heart. True, it is a sign of weakness, but it is not in our
choice whether we will be weak or strong; and there is a certain strength which
can only be made perfect in weakness. If he is working in humility, fear of
evil, desire of beauty, and sincere purity of purpose and thought, he will
produce good and helpful things; but he must be much on his guard against
supposing himself to be greater than his fellows, because he has shut himself
into this calm and cloistered sphere. His only safety lies in knowing himself to
be, on the contrary, less than his fellows, and in always striving,art oil paintings online, so
far as he can find it in his heart, to extend his delicate narrowness towards
the great naturalist ideal. The whole group of modern German purists have lost
themselves, because they founded their work not on humility, nor on religion,
but on small self-conceit. Incapable of understanding the great Venetians, or
any other masters of true imaginative power, and having fed what mind they had
with weak poetry and false philosophy, they thought themselves the best and
greatest of artistic mankind, and expected to found a new school of painting in
pious plagiarism and delicate pride. It is difficult at first to decide which is
the more worthless, the spiritual affectation of the petty German, or the
composition and chiaroscuro of the petty Englishman; on the whole, however, the
latter have lightest weight, for the pseudo-religious painter must, at all
events, pass much of his time in meditation upon solemn subjects, and in
examining venerable models; and may sometimes even cast a little useful
reflected light, or touch the heart with a pleasant echo. abstract oil paintings for sale
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