§ 16. The landscape of the Middle Ages is represented in a central manner by
the illuminations of the MSS. of Romances, executed about the middle of the
fifteenth century. On one side of these stands the earlier landscape work, more
or less treated as simple decoration; on the other, the later landscape work,
becoming more or less affected with modern ideas and modes of imitation.
These central fifteenth century landscapes are almost invariably composed of
a grove or two of tall trees, a winding river, and a castle, or a garden: the
peculiar feature of both these last being trimness; the artist always
dwelling especially on the fences; wreathing the espaliers indeed prettily with
sweet-briar, and putting pots of orange-trees on the tops of the walls, but
taking great care that there shall be no loose bricks in the one, nor broken
stakes in the other,—the trouble and ceaseless warfare of the times having
rendered security one of the first elements of pleasantness, and making it
impossible for any artist to conceive Paradise but as surrounded by a moat, or
to distinguish the road to it better than by its narrow wicket gate, and
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