Now this process of reasoning will be that which I shall endeavor to employ in the succeeding
investigations, a process perfeclysafe,so long as we are quite sure that we are reasoning concerning objects which
produce in us one and the same sensation, but not safe if the sensation produced
be of a different nature, though it may be equally agreeable; for what produces
a different sensation must be a different cause. And the difficulty of reasoning
respecting beauty arises chiefly from the ambiguity of the word, which stands in
different people's minds for totally different sensations, for which there can
be no common cause. art oil paintings for sale
When, for instance, Mr. Alison endeavors to support his position that "no man
is sensible to beauty in those objects with regard to which he has not previous
ideas," by the remark that "the beauty of a theory, or of a relic of antiquity,
is unintelligible to a peasant," we see at once that it is hopeless to argue
with a man who, under his general term beauty, may, for anything we know, be
sometimes speaking of mathematical demonstrability and sometimes of historical
interest; while even if we could succeed in limiting the term to the sense of
external attractiveness, there would be still room for many phases of error; for
though the beauty of a snowy mountain and of a human cheek or forehead, so far
as both are considered as mere matter, is the same, and traceable to certain
qualities of color and line, common to both, and by reason extricable, yet the
flush of the cheek and moulding of the brow, as they express modesty, affection,
or intellect, possess sources of agreeableness which are not common to the snowy
mountain, and the interference of whose influence we must be cautious to prevent
in our examination of those which are material and universal. art oil painting for sale
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