The term "beauty" how limitable in the outset. Divided into typical and vital

The first thing, then, that we have to do, is accurately to discriminateand define those appearances from which we are about to reason as belonging to beauty, properly so called, and to clear the ground of all the confused ideas and erroneous theories with which the misapprehension or metaphorical use of the term has encumbered it. oil painting online
By the term beauty, then, properly are signified two things. First, that external quality of bodies already so often spoken of, and which, whether it occur in a stone, flower, beast, or in man, is absolutely identical, which, as I have already asserted, may be shown to be in some sort typical of the Divine attributes, and which, therefore, I shall, for distinction's sake, call typical beauty; and, secondarily, the appearance of felicitous fulfilment of function in living things, more especially of the joyful and right exertion of perfect life in man. And this kind of beauty I shall call vital beauty. oil paintings online
Any application of the word beautiful to other appearances or qualities than these, is either false or metaphorical, as, for instance, to the splendor of a discovery, the fitness of a proportion, the coherence of a chain of reasoning, or the power of bestowing pleasure which objects receive from association, a power confessedly great, and interfering, as we shall presently find, in a most embarrassing way with the attractiveness of inherent beauty. art oil painting online
But in order that the mind of the reader may not be biassed at the outset by that which he may happen to have received of current theories respecting beauty, founded on the above metaphorical uses of the word, (theories which are less to be reprobated as accounting falsely for the sensations of which they treat, than as confusing two or more pleasurable sensations together,) I shall briefly glance at the four erroneous positions most frequently held upon this subject, before proceeding to examine those typical and vital properties of things, to which I conceive that all our original conceptions of beauty may be traced. art oil paintings online

With what liabilities to error

Now this process of reasoning will be that which I shall endeavor to employ in the succeeding investigations, a process perfeclysafe,so long as we are quite sure that we are reasoning concerning objects which produce in us one and the same sensation, but not safe if the sensation produced be of a different nature, though it may be equally agreeable; for what produces a different sensation must be a different cause. And the difficulty of reasoning respecting beauty arises chiefly from the ambiguity of the word, which stands in different people's minds for totally different sensations, for which there can be no common cause.  art oil paintings for sale
When, for instance, Mr. Alison endeavors to support his position that "no man is sensible to beauty in those objects with regard to which he has not previous ideas," by the remark that "the beauty of a theory, or of a relic of antiquity, is unintelligible to a peasant," we see at once that it is hopeless to argue with a man who, under his general term beauty, may, for anything we know, be sometimes speaking of mathematical demonstrability and sometimes of historical interest; while even if we could succeed in limiting the term to the sense of external attractiveness, there would be still room for many phases of error; for though the beauty of a snowy mountain and of a human cheek or forehead, so far as both are considered as mere matter, is the same, and traceable to certain qualities of color and line, common to both, and by reason extricable, yet the flush of the cheek and moulding of the brow, as they express modesty, affection, or intellect, possess sources of agreeableness which are not common to the snowy mountain, and the interference of whose influence we must be cautious to prevent in our examination of those which are material and universal. art oil painting for sale

How certain conclusions respecting beauty are by reason demonstrable

Seeing then that these qualities of material objects which are calculated to give us this universal pleasure, are demonstrably constantin their address to human nature, they must belong in some measure to whatever has been esteemed beautiful throughout successive ages of the world (and they are also by their definition common to all the works of God). Therefore it is evident that it must be possible to reason them out, as well as to feel them out; possible to divest every object of that which makes it accidentally or temporarily pleasant, and to strip it bare of distinctive qualities, until we arrive at those which it has in common with all other beautiful things, which we may then safely affirm to be the cause of its ultimate and true delightfulness.  oil painting

And criminality

And here is evident another reason of that duty which we owe respecting impressions of sight, namely, to discipline ourselves to theenjoyment of those which are eternal in their nature, not only because these are the most acute, but because they are the most easily, constantly, and unselfishly attainable. For had it been ordained by the Almighty that the highest pleasures of sight should be those of most difficult attainment, and that to arrive at them it should be necessary to accumulate gilded palaces tower over tower, and pile artificial mountains around insinuated lakes, there would have been a direct contradiction between the unselfish duties and inherent desires of every individual. But no such contradiction exists in the system of Divine Providence, which, leaving it open to us, if we will, as creatures in probation, to abuse this sense like every other, and pamper it with selfish and thoughtless vanities as we pamper the palate with deadly meats, until the appetite of tasteful cruelty is lost in its sickened satiety, incapable of pleasure unless, Caligula like, it concentrate the labor of a million of lives into the sensation of an hour, leaves it also open to us, by humble and loving ways, to make ourselves susceptible of deep delight from the meanest objects of creation, and of a delight which shall not separate us from our fellows, nor require the sacrifice of any duty or occupation, but which shall bind us closer to men and to God, and be with us always, harmonized with every action, consistent with every claim, unchanging and eternal.  art oil painting

The danger of a spirit of choice

Let therefore the young artist beware of the spirit of choice,it is an insolent spirit at the best and commonly a base and blind one too,checking all progress and blasting all power, encouraging weaknesses, pampering partialities, and teaching us to look to accidents of nature for the help and the joy which should come from our own hearts. He draws nothing well who thirsts not to draw everything; when a good painter shrinks, it is because he is humbled, not fastidious, when he stops, it is because he is surfeited, and not because he thinks nature has given him unkindly food, or that he fears famine.I have seen a man of true taste pause for a quarter of an hour to look at the channellings that recent rain had traced in a heap of cinders. art oil paintings

How distinguishable from false taste

Our purity of taste, therefore, is best tested by its universality, for if we can only admire this thing or that, we may be sure that our causefor liking is of a finite and false nature. But if we can perceive beauty in everything of God's doing, we may argue that we have reached the true perception of its universal laws. Hence, false taste may be known by its fastidiousness, by its demands of pomp, splendor, and unusual combination, by its enjoyment only of particular styles and modes of things, and by its pride also, for it is forever meddling, mending, accumulating, and self-exulting, its eye is always upon itself, and it tests all things around it by the way they fit it. But true taste is forever growing, learning, reading, worshipping, laying its hand upon its mouth because it is astonished, casting its shoes from off its feet because it finds all ground holy, lamenting over itself and testing itself by the way that it fits things. And it finds whereof to feed, and whereby to grow, in all things, and therefore the complaint so often made by young artists that they have not within their reach materials, or subjects enough for their fancy, is utterly groundless, and the sign only of their own blindness and inefficiency; for there is that to be seen in every street and lane of every city, that to be felt and found in every human heart and countenance, that to be loved in every road-side weed and moss-grown wall, which in the hands of faithful men, may convey emotions of glory and sublimity continual and exalted. cheap oil paintings

The large scope of matured judgment

Now, the conclusions of this disposition are sure to be eventually right, more and more right according to the general maturity of all thepowers,but it is sure to come right at last, because its operation is in analogy to, and in harmony with, the whole spirit of the Christian moral system, and that which it will ultimately love and rest in, are great sources of happiness common to all the human race, and based on the relations they hold to their Creator. cheap oil paintings
These common and general sources of pleasure are, I believe, a certain seal, or impress of divine work and character, upon whatever God has wrought in all the world; only, it being necessary for the perception of them, that their contraries should also be set before us, these divine qualities, though inseparable from all divine works, are yet suffered to exist in such varieties of degree, that their most limited manifestation shall, in opposition to their most abundant, act as a foil or contrary, just as we conceive of cold as contrary to heat, though the most extreme cold we can produce or conceive is not inconsistent with an unknown amount of heat in the body. cheap oil painting

The necessity of submission in early stages of judgment

The second, that, in order to the discovery of that which is best of two things, it is necessary that both should be equally submitted to theattention;and therefore that we should have so much faith in authority as shall make us repeatedly observe and attend to that which is said to be right, even though at present we may not feel it so. And in the right mingling of this faith with the openness of heart, which proves all things, lies the great difficulty of the cultivation of the taste, as far as the spirit of the scholar is concerned, though even when he has this spirit, he may be long retarded by having evil examples submitted to him by ignorant masters. art oil paintings for sale
The temper, therefore, by which right taste is formed, is first, patient. It dwells upon what is submitted to it, it does not trample upon it lest it should be pearls, even though it look like husks, it is a good ground, soft, penetrable, retentive, it does not send up thorns of unkind thoughts, to choke the weak seed, it is hungry and thirsty too, and drinks all the dew that falls on it, it is an honest and good heart, that shows no too ready springing before the sun be up, but fails not afterwards; it is distrustful of itself, so as to be ready to believe and to try all things, and yet so trustful of itself, that it will neither quit what it has tried, nor take anything without trying. And that pleasure which it has in things that it finds true and good, is so great that it cannot possibly be led aside by any tricks of fashion, nor diseases of vanity, it cannot be cramped in its conclusions by partialities and hypocrisies, its visions and its delights are too penetrating, too living, for any whitewashed object or shallow fountain long to endure or supply. It clasps all that it loves so hard, that it crushes it if it be hollow. art oil painting for sale

Especially with respect to ideas of beauty

That then which is required in order to the attainment of accurate conclusions respecting the essence of the beautiful, is nothing more than earnest, loving, and unselfish attention to our impressions of it, by which those which are shallow, false, or peculiar to times and temperaments, may be distinguished from those that are eternal. And this dwelling upon, and fond contemplation of them, (the anschauung of the Germans,) is perhaps as much as was meant by the Greek theoria; and it is indeed a very noble exercise of the souls of men, and one by which they are peculiarly distinguished from the anima of lower creatures, which cannot, I think, be proved to have any capacity of contemplation at all, but only a restless vividness of perception and conception, the "fancy" of Hooker (Eccl. Pol. Book i. Chap. vi. 2). And yet this dwelling upon them comes not up to that which I wish to express by the word theoria, unless it be accompanied by full perception of their being a gift from and manifestation of God, and by all those other nobler emotions before described, since not until so felt is their essential nature comprehended. cheap oil paintings

How rewarded

So also it will certainly be found with all the senses, that they individually receive the greatest and purest pleasure when they are in right condition and degree of subordination to all the rest; and that by the over cultivation of any one, (for morbid sources of pleasure and correspondent temptations to irrational indulgence, confessedly are attached to all,) we shall add more to their power as instruments of punishment than of pleasure. paintings for sale
We see then, in this example of the lowest sense, that the power we have over sensations and preferences depends mainly on the exercise of attention through certain prolonged periods, and that by this exercise, we arrive at ultimate, constant, and common sources of agreeableness, casting off those which are external, accidental, and individual. painting for sale

What duty is attached to this power over impressions of sense

The sense, however, in which they thus use the word "wrong" is merely that of falseness or inaccuracy in conclusion, not of moral delinquency. But there is, as I have stated, a duty, more or less imperative, attached to every power we possess, and therefore to this power over the lower senses as well as to all others. art oil paintings for sale
And this duty is evidently to bring every sense into that state of cultivation, in which it shall both form the truest conclusions respecting all that is submitted to it, and procure us the greatest amount of pleasure consistent with its due relation to other senses and functions. Which three constituents of perfection in sense, true judgment, maximum sensibility, and right relation to others, are invariably co-existent and involved one by the other, for the true judgment is the result of the high sensibility, and the high sensibility of the right relation. Thus, for instance, with respect to pleasures of taste, it is our duty not to devote such inordinate attention to the discrimination of them as must be inconsistent with our pursuit, and destructive of our capacity of higher and preferable pleasures, but to cultivate the sense of them in that way which is consistent with all other good, by temperance, namely, and by such attention as the mind at certain resting moments may fitly pay even to so ignoble a source of pleasure as this, by which discipline we shall bring the faculty of taste itself to its real maximum of sensibility; for it may not be doubted but that health, hunger, and such general refinement of bodily habits as shall make the body a perfect and fine instrument in all respects, are better promoters of actual sensual enjoyment of taste, than the sickened, sluggish, hard-stimulated fastidiousness of Epicurism. oil painting online

Ultimate conclusions universal

Now that verdicts of this kind are received as authoritative by others, proves another and more important fact, namely, that not only changes of opinion take place in consequence of experience, but that those changes are from variation of opinion to unity of opinion; and that whatever may be the differences of estimate among unpractised or uncultivated tastes, there will be unity of taste among the experienced. And that therefore the operation of repeated trial and experience is to arrive at principles of preference in some sort common to all, and which are a part of our nature. cheap oil paintings
I have selected the sense of taste for an instance, because it is the least favorable to the position I hold, since there is more latitude allowed, and more actual variety of verdict in the case of this sense than of any other; and yet, however susceptible of variety even the ultimate approximations of its preferences may be, the authority of judges is distinctly allowed, and we hear every day the admission, by those of unpractised palate, that they are, or may be wrong in their opinions respecting the real pleasurableness of things either to themselves, or to others. oil paintings

Depends on acuteness of attention

So, then, the power we have over the preference of impressions of taste is not actual nor immediate, but only a power of testing and comparing them frequently and carefully,until that which is the more permanent, the more consistently agreeable, be determined. But when the instrument of taste is thus in some degree perfected and rendered subtile, by its being practised upon a single object, its conclusions will be more rapid with respect to others, and it will be able to distinguish more quickly in other things, and even to prefer at once, those qualities which are calculated finally to give it most pleasure, though more capable with respect to those on which it is more frequently exercised; whence people are called judges with respect to this or that particular object of taste. art oil painting online

What power we have over impressions of sense

I assert, therefore, that even with respect to impressions of sense, we have a power of preference, and a corresponding duty, and I shall show first the nature of the power, and afterwards the nature of the duty.  oil painting online
Let us take an instance from one of the lowest of the senses, and observe the kind of power we have over the impressions of lingual taste. On the first offering of two different things to the palate, it is not in our power to prevent or command the instinctive preference. One will be unavoidably and helplessly preferred to the other. But if the same two things be submitted to judgment frequently and attentively, it will be often found that their relations change. The palate, which at first perceived only the coarse and violent qualities of either, will, as it becomes more experienced, acquire greater subtilty and delicacy of discrimination, perceiving in both agreeable or disagreeable qualities at first unnoticed, which on continued experience will probably become more influential than the first impressions; and whatever this final verdict may be, it is felt by the person who gives it, and received by others as a more correct one than the first. art oil painting online

And in what sense may the terms Right and Wrong be attached to its conclusions?

Hence then arise two questions, according to the sense in which the word right is taken; the first, in what way an impression of sense may be deceptive, and therefore a conclusion respecting it untrue; and the second, in what way an impression of sense, or the preference of one, may be a subject of will, and therefore of moral duty or delinquency.  oil paintings for sale
To the first of these questions, I answer that we cannot speak of the immediate impression of sense as false, nor of its preference to others as mistaken, for no one can be deceived respecting the actual sensation he perceives or prefers. But falsity may attach to his assertion or supposition, either that what he himself perceives is from the same object perceived by others, or is always to be by himself perceived, or is always to be by himself preferred; and when we speak of a man as wrong in his impressions of sense, we either mean that he feels differently from all, or a majority, respecting a certain object, or that he prefers at present those of his impressions, which ultimately he will not prefer.
To the second I answer, that over immediate impressions and immediate preferences we have no power, but over ultimate impressions, and especially ultimate preferences we have; and that, though we can neither at once choose whether we shall see an object, red, green, or blue, nor determine to like the red better than the blue, or the blue better than the red, yet we can, if we choose, make ourselves ultimately susceptible of such impressions in other degrees, and capable of pleasures in them in different measure; and because, wherever power of any kind is given, there is responsibility attached, it is the duty of men to prefer certain impressions of sense to others, because they have the power of doing so, this being precisely analogous to the law of the moral world, whereby men are supposed not only capable of governing their likes and dislikes, but the whole culpability or propriety of actions is dependent upon this capability, so that men are guilty or otherwise, not for what they do, but for what they desire, the command being not, thou shalt obey, but thou shalt love, the Lord thy God, which, if men were not capable of governing and directing their affections, would be the command of an impossibility. oil painting online

By what test is the health of the perceptive faculty to be determined?

Hitherto we have observed only the distinctions of dignity among pleasures of sense, considered merely as such, and the way in which any of them may become theoretic in being received with right feeling. oil paintings for sale
But as we go farther, and examine the distinctive nature of ideas of beauty, we shall, I believe, perceive something in them besides sthetic pleasure, which attests a more important function belonging to them than attaches to other sensual ideas, and exhibits a more exalted character in the faculty by which they are received. And this was what I alluded to, when I said in the chapter already referred to , that "we may indeed perceive, as far as we are acquainted with the nature of God, that we have been so constructed as in a healthy state of mind to derive pleasure from whatever things are illustrative of that nature."
This point it is necessary now farther to develop.  painting for sale
Our first inquiry must evidently be, how we are authorized to affirm of any man's mind, respecting impressions of sight, that it is in a healthy state or otherwise. What canon or test is there by which we may determine of these impressions that they are or are not rightlyesteemed beautiful? To what authority, when men are at variance with each other on this subject, shall it be deputed to judge which is right? or is there any such authority or canon at all?
For it does not at first appear easy to prove that men ought to like one thing rather than another, and although this is granted generally by men's speaking of bad or good taste, it is frequently denied when we pass to particulars, by the assertion of each individual that he has a right to his opinion—a right which is sometimes claimed even in moral matters, though then palpably without foundation, but which does not appear altogether irrational in matters sthetic, wherein little operation of voluntary choice is supposed possible. It would appear strange, for instance, to assert, respecting a particular person who preferred the scent of violets to roses, that he had no right to do so. And yet, while I have said that the sensation of beauty is intuitive and necessary, as men derive pleasure from the scent of a rose, I have assumed that there are some sources from which it is rightly derived, and others from which it is wrongly derived, in other words that men have no right to think some things beautiful, and no right to remain apathetic with regard to others. oil paintings