Tuesday, October 22, 2013

Which is proportioned to the appearance of energy in the plants

For it is matter of easy demonstration, that setting the characters of typical beauty aside, the pleasure afforded by every organic form is in proportion to its appearance of healthy vital energy; as in a rose-bush, setting aside all considerations of gradated flushing of color and fair folding of line, which it shares with the cloud or the snow-wreath, we find in and through all this, certain signs pleasant and acceptable as signs of life and enjoyment in the particular individual plant itself. Every leaf and stalk is seen to have a function,cheap oil painting, to be constantly exercising that function, and as it seems solely for the good and enjoyment of the plant. It is true that reflection will show us that the plant is not living for itself alone, that its life is one of benefaction, that it gives as well as receives, but no sense of this whatsoever mingles with our perception of physical beauty in its forms. Those forms which appear to be necessary to its health, the symmetry of its leaflets, the smoothness of its stalks, the vivid green of its shoots, are looked upon by us as signs of the plant's own happiness and perfection; they are useless to us, except as they give us pleasure in our sympathizing with that of the plant, and if we see a leaf withered or shrunk or worm-eaten, we say it is ugly, and feel it to be most painful, not because it hurts us, but because it seems to hurt the plant, and conveys to us an idea of pain and disease and failure of life in itabstract oil paintings for sale
That the amount of pleasure we receive is in exact proportion to the appearance of vigor and sensibility in the plant, is easily proved by observing the effect of those which show the evidences of it in the least degree, as, for instance, any of the cacti not in flower. Their masses are heavy and simple, their growth slow, their various parts jointed on one to another, as if they were buckled or pinned together instead of growing out of each other, (note the singular imposition in many of them, the prickly pear for instance, of the fruit upon the body of the plant,oil painting, so that it looks like a swelling or disease,) and often farther opposed by harsh truncation of line as in the cactus truncatophylla. All these circumstances so concur to deprive the plant of vital evidences, that we receive from it more sense of pain than of beauty; and yet even here, the sharpness of the angles, the symmetrical order and strength of the spines, the fresh and even color of the body, are looked for earnestly as signs of healthy condition, our pain is increased by their absence, and indefinitely increased if blotches, and other appearances of bruise and decay interfere with that little life which the plant seems to possess. art oil painting for sale
The same singular characters belong in animals to the crustacea, as to the lobster, crab, scorpion, etc., and in great measure deprive them of the beauty which we find in higher orders, so that we are reduced to look for their beauty to single parts and joints, and not to the whole animal. art oil paintings online

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