In order to render our inquiry as easy as possible, we shall consider the dealing of the associative imagination with the simplest possible matter, that
is,—with conceptions of material things. First, therefore, we must define the
nature of these conceptions themselves. canvas paintings for sale
After beholding and examining any material object, our knowledge respecting
it exists in two different forms. Some facts exist in the brain in a verbal
form, as known, but not conceived, as, for instance, that it was heavy or light,
that it was eight inches and a quarter long, etc., of which length we cannot
have accurate conception, but only such a conception as might attach to a length
of seven inches or nine; and which fact we may recollect without any conception
of the object at all. Other facts respecting it exist in the brain in a visible
form, not always visible,large oil paintings for sale, but voluntarily visible, as its being white, or having
such and such a complicated shape, as the form of a rose-bud, for instance,
which it would be difficult to express verbally, neither is it retained by the
brain in a verbal form, but a visible one, that is, when we wish for knowledge
of its form for immediate use, we summon up a vision or image of the thing; we
do not remember it in words, as we remember the fact that it took so many days
to blow, or that it was gathered at such and such a time. large oil paintings on canvas
The knowledge of things retained in this visible form is called conception by
the metaphysicians, which term I shall retain; it is inaccurately called
imagination by Taylor, in the passage quoted by Wordsworth in the preface to his
poems, not but that the term imagination is etymologically and rightly
expressive of it, but we want that term for a higher faculty. modern oil paintings
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