We shall not be long detained by the consideration of this, the fourth
constituent of beauty, as its nature is universally felt and understood.In all perfectly beautiful objects, there is found the opposition of one part to
another and a reciprocal balance obtained; in animals the balance being commonly
between opposite sides, (note the disagreeableness occasioned by the exception
in flat fish, having the eyes on one side of the head,) but in vegetables the
opposition is less distinct,
art oil painting online,as in the boughs on opposite sides of trees, and
the leaves and sprays on each side of the boughs, and in dead matter less
perfect still, often amounting only to a certain tendency towards a balance, as
in the opposite sides of valleys and alternate windings of streams. In things in
which perfect symmetry is from their nature impossible or improper, a balance
must be at least in some measure expressed before they can be beheld with
pleasure. Hence the necessity of what artists require as opposing lines or masses in composition, the propriety of which, as well as
their value, depends chiefly on their inartificial and natural invention.
Absolute equality is not required, still less absolute similarity. A mass of
subdued color may be balanced by a point of a powerful one, and a long and
latent line overpowered by a short and conspicuous one. The only error against
which it is necessary to guard the reader with respect to symmetry, is the
confounding it with proportion, though it seems strange that the two terms could
ever have been used as synonymous. Symmetry is the
opposition of
equalquantities to each other. Proportion the
connection of
unequalquantities with each other. The property of a tree in sending out
equal boughs on opposite sides is symmetrical. Its sending out shorter and
smaller towards the top,proportional. In the human face its balance of opposite sides is
symmetry, its division upwards, proportion.
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TOMB OF THE ILARIA DI CARETTO, LUCCA.
From a photograph.
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