Vivarini influence are to be seen in the earlier

The last traces of the Vivarini influence are to be seen in the earlier works of Lorenzo Lotto(1480-1556), who was a pupil of Alvise, though his pictures after 1508, when he had left Venice, Treviso and Reccanti,cheap oil paintings,  where he had been employed, show the effect of his changed surroundings. To this date is assigned the Portrait of a Young Man, at Hampton Court. At Rome in 1509 he was painting with Raphael in the Vatican, and in his next dated work, the Entombment, at Jesi, the echoes of Raphael's Disputation and the School of Athens are clear. The DresdenMadonna and Child with S. John was probably painted at Bergamo in 1518, and the Madonna and Saints, lately bequeathed to the National Gallery, is dated 1521. art oil paintings for sale
At Madrid is a picture by him of A Bride and Bridegroom dated 1523, to which year probably belongs the Family Group in the National Gallery. These are early instances of the comparatively rare inclusion of more than a single figure in a pure portrait. In our example the father and mother and two children are composed into a delightful picture, in which for once we may see the actual people of the time in something like their natural surroundings, instead of being posed, however effectively, to assist in the representation of some historic or legendary scene. art oil paintings online
In 1527 Lotto was back again in Venice, and was probably influenced by Palma Vecchio when he painted the superb portrait of the sculptorOdoni, which is at Hampton Court. A little later the influence of Titian is more visible. Two other portraits are in our National Gallery, those of the Protonotary Juliano and of Agostino and Niccolo della Torre.

Bonifazio di Pitati (1487-1553), sometimes called Bonifazio Veronese or Veneziano,buy oil paintings online, was born at Verona, but studied in Venice under Palma Vecchio. The influence of his native city distinguishes his work in some degree from the pure Venetian, as it did that of the more famous Paolo in later years; but the atmosphere created by Giorgione was so strong as to cause Bonifazio's masterpiece (if we except the Dives and Lazarusat the Academy in Venice) to be attributed until quite lately to Giorgione. It is thus described by Kugler:—"A picture in the Brera in Milan,oil paintings wholesale, very deserving of notice, is perhaps one of Giorgione's most beautiful works; it is historic in subject, but romantic in conception. The subject is the finding of Moses; all the figures are in the rich costume of Giorgione's time. In the centre the princess sits under a tree, and looks with surprise at the child who is brought to her by a servant. The seneschal of the princess, with knights and ladies, stand around. On one side are seated two lovers on the grass, on the other side musicians and singers,dafen oil painting village, pages with dogs, a dwarf with an ape, etc. It is a picture in which the highest earthly splendour and enjoyment are brought together, and the incident from Scripture only gives it a more pleasing interest. The costume, however inappropriate to the story, disturbs the effect as little as in other Venetian pictures of the same period, since it refers more to a poetic than to a mere historic truth, and the period itself was rich in poetry; its costume too assists the display of a romantic splendour. This picture,98 with all its glow of colour, is softer than the earlier works of the master, and reminds us of Titian...." art oil paintings for sale