Friday, March 28, 2014

The first painter who deserted

The first painter who deserted his native style of art was, as before mentioned, Jan Mabuse. After the large Adoration of the Kings in the National Gallery the most important picture of his pre-Italian period is the Christ in the Garden of Gethsemane at Berlin. Nearly all his works subsequent to 1512, by which time he had settled in Brussels, are characterised by all the faults above mentioned. Their redeeming quality is their
 masterly treatment. Among those of religious subjects the smallest are as a rule the best. The Ecce Homo at Antwerp, so frequently copied by contemporary painters,5+ Pieces paintings, is a specimen of masterly modelling and vigorous colour. He is less successful with his life-size Adam and Eve, of which there are repetitions at Brussels, Hatfield, Hampton Court and Berlin. But his most unpleasing efforts are the mythological subjects such as the Danaë at Munich, and the Neptune and Amphitrite at Berlin. On the other hand, his portraits are attractive both from being more original, and less influenced by his acquired mannerisms of style Four of these are in the National Gallery, and the Girl weighing Gold Pieces, in the Berlin gallery, is also worthy of mention. art oil paintings online
Bernard van Orley, born at Brussels in 1471, is characterised in the catalogue of the National Gallery as "taking his place after Massys and Mabuse on the downward slope of Netherlandish painting." He has been immortalised by the fine portrait head of him by Albert Dürer which is now in the Dresden Gallery. He was Court painter to Margaret of Austria, Governess of the Low Countries, and retained the same post under her successor, Mary of Hungary. He is said to have visited Rome in 1509, and there made the acquaintance of Raphael, whose influence is certainly apparent, though hardly his inspiration, in the Holy Family in the Louvre. A more Netherlandish work, both in feeling and in treatment, is the Pietà in the Gallery at Brussels. reproduction oil paintings for sale
Ian Scorel, born in 1495, was a pupil of Mabuse, and appears to have been the first to introduce the Italian style into his native country—Holland. When on a pilgrimage to Palestine he happened to pass
through Rome at the time his countryman was raised to the papal dignity as Adrian VI., and after painting his portrait he was appointed overseer of the art treasures of the Vatican. Returning to Utrecht, where he died, he painted the picture of the Virgin and Child, with donors, which is now in the Town Hall. abstract oil paintings for sale

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