But the naturalist movement it was that witnessed the development of the
greatest artistic personality in the feminine world of to-day—Rosa Bonheur. The
rôle played by Rosa Bonheur is important from the feminine point of view,
for the reason that she broke
away from ancient traditions. She revealed what woman was capable of in the
matter of energy,decorative painting, of continuity of purpose, of method, of scientific direction,
in a word, in the indispensable impetus of inspiration. Before her day, the
woman-painter had always been looked upon rather as a phenomenon, or her place
in the domain of art was conceded to her on the grounds that she was indulging
in an elevating and tasteful pastime, coming under the category of
"accomplishments." Rosa Bonheur gave to woman a position equal to that of man.
She won for herself unanimous admiration,original oil paintings, based, not on the singularity of her
life, not on looseness of morals, not on social triumphs, not on friends at
Court, but on her robust, virile, observant and well-considered talent, which in
its turn was based on a primary study of anatomy and osteology, developed by a
continuous observation of the constitution and the life of the animal world. Her
long life was crowned with glory. She held an exceptional place in art, akin to
that of George Sand in the world of letters. art oil paintings for sale
From that day forth, there appeared a new phase in the artistic life of
woman. Art became for her, not merely an intellectual pastime, but a vocation
and a career. Rosa Bonheur lived nearly to the close of the nineteenth century,
seeing many revolutions both in French life and in French art, but remaining
always quite true to herself. Perhaps the most uncertain period of all,
historically, so far as women were concerned,oil painting reproductions, was that period of wave-like
fluctuation in French art that occurred in the seventies and eighties,
reflecting itself in the work of such women painters as Angèle Dubos, Jeanne
Fichel, Marie Petiet, Laure de Chatillon, Félicie Schneider, Eva Gonzalès, Marie
Nicolas, and Rosa Bonheur's successor—her heiress, so to speak—Madame Virginie
Demont-Breton, the daughter, wife and niece of a family of distinguished
artists. She has achieved a well-deserved popularity with her subjects of
popular and rustic life, and, like Rosa Bonheur,abstract oil paintings for sale, has attained the rank of
officer of the Legion of Honour. Two other feminine personalities have attracted
the attention of both public
and artists, the one, the sister-in-law of Manet, the delightful Mademoiselle
Morisot, who has, so to speak, improved on the refinement of her master; the
other, that strange and alluring young Russian girl, who adopted France as her
Fatherland, and whom France adopted as artist. Marie Bashkirtseff, struck down
by a cruel and premature death, at the age of twenty-three, revealed something
far more than mere happy gifts. One is surprised at the amount of studies
produced by the unfortunate and beautiful creature in the short space allotted
to her for her life-work. frames for oil paintings
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