Let the reader be patient for a while and not flare up with indignation and
refuse to follow psychoanalysis because in its very first applications it leads
to an unpardonable slander of the memory of a great and pure man. For it is
quite certain that this indignation will never solve for us the meaning of
Leonardo's childhood phantasy; on the other
hand, Leonardo has unequivocally acknowledged this phantasy, and we shall
therefore not relinquish the expectation—or if you prefer the preconception—that
like every psychic production such as dreams, visions and deliria this phantasy,
too, must have some meaning. Let us therefore lend our unprejudiced ears for a
while to psychoanalytic work which after all has not yet uttered the last
word. decorative paintings
The desire to take the male member into the mouth and suck it, which is
considered as one of the most disgusting of sexual perversions, is nevertheless
a frequent occurrence among the women of our time—and as shown in old sculptures
was the same in earlier times—and in the state of being in love seems to lose
entirely its disgusting character. The physician encounters phantasies based on
this desire, even in women who did not come to the knowledge of the possibility
of such sexual gratification by reading V. Krafft-Ebing's
Psychopathia Sexualis or through other information. It seems that it is quite
easy for the women themselves to produce such wish-phantasies.Investigation then teaches us that this situation,original oil paintings, so forcibly condemned by
custom, may be traced to the most harmless origin. It is nothing but the
elaboration of another situation in which we all once felt comfort, namely, when
we were in the suckling-age ("when I was still in the cradle") and took the
nipple of our mother's or wet-nurse's breast into our mouth to suck it. The
organic impression of this first pleasure in our lives surely remains indelibly
impregnated; when the child later learns to know the udder of the cow, which in
function is a breast-nipple, but in shape and in position on the abdomen
resembles the penis, it obtains the primary basis for the later formation of
that disgusting sexual phantasy. reproduction oil paintings for sale
We now understand why Leonardo displaced the memory of the supposed
experience with the vulture to his nursing period. This phantasy conceals
nothing more or less than a reminiscence of nursing—or being nursed—at the
mother's breast, a scene both human and beautiful, which he as well as other
artists undertook to depict with the brush in
the form of the mother of God and her child. At all events, we also wish to
maintain, something we do not as yet understand, that this reminiscence, equally
significant for both sexes, was elaborated in the man Leonardo into a passive
homosexual phantasy. For the present we shall not take up the question as to
what connection there is between homosexuality and suckling at the mother's
breast, we merely wish to recall that tradition actually designates Leonardo as
a person of homosexual feelings. In considering this, it makes no difference
whether that accusation against the youth Leonardo was justified or not. It is
not the real activity but the nature of the feeling which causes us to decide
whether to attribute to some one the characteristic of homosexuality. modern art oil paintings
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