To be sure the father also assumed(Leonardo da Vinci 36)

To be sure the father also assumed importance in Leonardo's psychosexual development, and what is more, it was not only in a negative sense, through his absence during the boy's first childhood years, but also directly through his presence in his later childhood. He who as a child desires his mother, cannot help wishing to put himself in his father's place, to identify himself with him in his phantasy and later make it his life's task to triumph over him. As Leonardo was not yet five years old when he was received into his paternal home, the young step-mother, Albiera,canvas paintings for sale, certainly must have taken the place of his mother in his feeling, and this brought him into that relation of rivalry to his father which may be designated as normal. As is known, the preference for homosexuality did not manifest itself till near the years of puberty. When Leonardo accepted this preference the identification with the father lost all significance for his sexual life, but continued in other spheres of non-erotic activity. We hear that he was fond of luxury and pretty raiments, and kept servants and horses,oil paintings for sale, although according to Vasari's words "he hardly possessed anything and worked little." We shall not hold his artistic taste entirely responsible for all these special likings; we recognize in them also the compulsion to copy his father and to excel him. He played the part of the great gentleman to the poor peasant girl, hence the son retained the incentive that he also play the great gentleman, he had the strong feeling "to out-herod Herod," and to show his father exactly how the real high rank looks. cheap oil paintings for sale
Whoever works as an artist certainly feels as a father to his works. The identification with his father had a fateful result in Leonardo's works of art. He created them and then troubled himself no longer about them, just as his father did not trouble himself about him. The later worriments of his father could change nothing in this compulsion, as the latter originated from the impressions of the first years of childhood, and the repression having remained unconscious was incorrigible through later experiences. where to buy oil paintings
At the time of the Renaissance, and even much later, every artist was in need of a gentleman of rank to act as his benefactor. This patron was wont to give the artist commissions for work and entirely controlled his destiny. Leonardo found his patron in Lodovico Sforza, nicknamed Il Moro, a man of high aspirations, ostentations, diplomatically astute, but of an unstable and unreliable character. In his court in Milan, Leonardo spent the best period of his life, while in his service he evinced his most uninhibited productive activity as is evidenced in The Last Supper,cheap oil paintings on canvas, and in the equestrian statue of Francesco Sforza. He left Milan before the catastrophe struck Lodovico Moro, who died a prisoner in a French prison. When the news of his benefactor's fate reachedLeonardo he made the following entry in his diary: "The duke has lost state, wealth, and liberty, not one of his works will be finished by himself."It is remarkable and surely not without significance that he here raises the same reproach to his benefactor that posterity was to apply to him, as if he wanted to lay the responsibility to a person who substituted his father-series, for the fact that he himself left his works unfinished. As a matter of fact he was not wrong in what he said about the Duke. oil paintings for sale online