Friday, December 13, 2013

IV. Charcoal 08 Other churches have I studied in my wanderings

Other churches have I studied in my wanderings; many and various cathedrals, basilicas, and mosques have delighted me. I know the color and the value of tapestry and rich hangings; of mosaics, porphyry, and verd-antiques; of fluted alabaster and the delicate tracery of the arabesque; but the velvety quality of London soot when applied to the rough surfaces of rudely chiselled stones, and the soft loveliness gained by grime and smoke, came to me as a revelation. cheap oil paintings
This rich black which, like a tropical fungus, grows and spreads through St. Bartholomew's interior, hiding under its soft, caressing touch the rough angles and insistent edges of the Norman, is what the bloom is to the grape, what the dark purpling is to the plum, mellowing from sight the brilliancy of the under skin. And there are wide coverings of it, too, in this wonderful church, as if some master decorator had wielded a great coal and at one sweep of his hand had rubbed its glorious black into every crevice, crack, and cranny of wall, column, and arch.
Certain it is that no other medium than the one used could give any idea of its charm. Neither oil, water-color, nor pastel will transmit it—no, nor the dry-point or bitten plate. The soot of centuries, the fogs of countless Novembers, the smoke of a thousand firesides were the pigments which the Master Painter set upon his palette in the task of giving us one exquisitely beautiful interior wholly in black-and-white. art oil paintings for sale
So it was in the Temple when I was searching for Mr. Thackeray's haunts.
What of alterations, scrapings, patchings up, and fillings in have taken place in these various courts and their surroundings, I did not trouble myself to find out. Nothing looks new in London after the fogs and soot of one winter have wreaked their vengeance upon it. Whether the façade is of brick, stone, or stucco depends entirely on the thickness of the soot, packed in or scoured clean by winds and rains, or whether the surface is ebony or marble, as may be seen in many of the statues on Burlington House, where a head, arm, or part of a pedestal chair has been kept white by constant douches. buy oil paintings online
Diagram of Charcoal Technic
Diagram of Charcoal Technic

As for me, I was glad that these old haunts of Mr. Thackeray and his characters are even blacker to-day than they might have been in his time. For the soot and grime become them, and London as well, for that matter. A great impressionist, this smoke-smudger and wiper-out of detail, this believer in masses and simple surfaces, this destroyer of gingerbread ornaments, petty mouldings, and cheap flutings! abstract oil paintings for sale

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