§ 23. And, first, I think it probable that many readers may be surprised at
my calling Scott the great representative of the mind of the age in literature.
Those who can perceive the intense penetrative depth of Wordsworth, and the
exquisite finish and melodious power of Tennyson, may be offended at my placing
in higher rank that poetry of careless glance, and reckless rhyme, in which
Scott poured out the fancies of his youth; and those who are familiar with the
subtle analysis of the French novelists, or who have in any wise submitted
themselves to the influence of German philosophy, may be equally indignant at my
ascribing a principality to Scott among the literary men of Europe, in an age
which has produced De Balzac and Goethe. art oil paintings
So also in painting, those who are acquainted with the sentimental efforts
made at present by the German religious and his torical schools, and with the
disciplined power and learning of the French, will think it beyond all
explanation absurd to call a painter of light water-color landscapes, eighteen
inches by twelve, the first representative of the arts of the age. I can only
crave the reader's patience, and his due consideration of the following reasons
for my doing so, together with those advanced in the farther course of the
work. art oil paintings online
§ 24. I believe the first test of a truly great man is his humility. I do not
mean, by humility, doubt of his own power, or hesitation in speaking of his
opinions; but a right understanding of the relation between what he can
do and say, and the rest of the world's sayings and doings. All great men not
only know their business, but usually know that they know it; and are not only
right in their main opinions, but they usually know that they are right in them;
only, they do not think much of themselves on that account. Arnolfo knows he can
build a good dome at Florence; Albert Durer writes calmly to one who had found
fault with his work, "It cannot be better done;" Sir Isaac Newton knows that he
has worked out a problem or two that would have puzzled anybody else;—only they
do not expect their fellow-men therefore to fall down and worship them; they
have a curious under-sense of powerlessness, feeling that the greatness is not
in them, but through them; that they could not do or be anything
else than God-made them. And they see something divine and God-made in every
other man they meet, and are endlessly, foolishly, incredibly merciful. modern abstract art oil painting
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