§ 29. Again: the mass of sentimental literature, concerned with the analysis
and description of emotion, headed by the poetry of Byron, is altogether of
lower rank than the literature which merely describes what it saw. The true Seer
always feels as intensely as any one else; but he does not much describe his
feelings. He tells you whom he met, and what they said; leaves you to make out,
from that, what they feel, and what he feels, but goes into little detail. And,
generally speaking, pathetic writing and careful explanation of passion are
quite easy, compared with this plain recording of what people said or did, or
with the right invention of what they are likely to say and do; for this reason,
that to invent a story, or admirably and thoroughly tell any part of a story, it
is necessary to grasp the entire mind of every personage concerned in it,art oil paintings, and
know precisely how they would be affected by what happens; which to do requires
a colossal intellect; but to describe a separate emotion delicately, it is only
needed that one should feel it oneself; and thousands of people are capable of
feeling this or that noble emotion, for one who is able to enter into all the
feelings of somebody sitting on the other side of the table. Even, therefore,
when this sentimental literature is first rate, as in passages of Byron,
Tennyson, and Keats, it ought not to be ranked so high as the Creative; and
though perfection, even in narrow fields, is perhaps as rare as in the wider,
and it may be as long before we have another In Memoriam as another Guy
Mannering, I unhesitatingly receive as a greater manifestation of power the
right invention of a few sentences spoken by Pleydell and Mannering across their
supper-table, than the most tender and passionate melodies of the self-examining
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§ 30. Having, therefore, cast metaphysical writers out of our way, and
sentimental writers into the second rank, I do not think Scott's supremacy among
those who remain will any more be doubtful; nor would it, perhaps, have been
doubtful before, had it not been encumbered by innumerable faults and
weaknesses. But it is preeminently in these faults and weaknesses that Scott is
representative of the mind of his age: and because he is the greatest man born
amongst us, and intended for the enduring type of us, all our principal faults
must be laid on his shoulders, and he must bear down the dark marks to the
latest ages; while the smaller men, who have some special work to do, perhaps
not so much belonging to this age as leading out of it to the next, are often
kept providentially quit of the encumbrances which they had not strength to
sustain, and are much smoother and pleasanter to look at, in their way; only
that is a smaller way. oil paintings on canvas for sale
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