And first, I would ask of the reader to enter upon the subject with me, as far
as may be, as a little child, ridding himself of all conventionaland authoritative thoughts, and especially of such associations as arise from his
respect for Pagan art, or which are in any way traceable to classical readings.
I recollect that Mr. Alison traces his first perceptions of beauty in external
nature to this most corrupt source, thus betraying so total and singular a want
of natural sensibility as may well excuse the deficiencies of his following
arguments. For there was never yet the child of any promise (so far as the
theoretic faculties are concerned) but awaked to the sense of beauty with the
first gleam of reason; and I suppose there are few, among those who love nature
otherwise than by profession and at second-hand, who look not back
[Page 39] to their youngest and
least-learned days as those of the most intense, superstitious, insatiable, and
beatific perception of her splendors. And the bitter decline of this glorious
feeling, though many note it not, partly owing to the cares and weight of
manhood, which leave them not the time nor the liberty to look for their lost
treasure, and partly to the human and divine affections which are appointed to
take its place, yet has formed the subject not indeed of lamentation, but of
holy thankfulness for the witness it bears to the immortal origin and end of our
nature, to one whose authority is almost without appeal in all questions
relating to the influence of external things upon the pure human soul.
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"Heaven lies about us in our infancy, paintings for sale
Shades of the
prison-house begin to close
Upon the growing boy.
But he beholds the
light, and whence it flows
He sees it in his joy.
The youth, who daily
farther from the east
Must travel, still is nature's priest,
And by the
vision splendid
Is on his way attended.
At length the Man perceives it
die away
And fade into the light of common day." painting for sale
And if it were possible for us to recollect all the unaccountable and happy
instincts of the careless time, and to reason upon them with the maturer
judgment, we might arrive at more rapid and right results than either the
philosophy or the sophisticated practice of art have yet attained. But we lose
the perceptions before we are capable of methodizing or comparing them.
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