The effects of the Adamite curse are to be distinguished from signs of its immediate activity

§ 11. The effects of the Adamite curse are to be distinguished from signs of its immediate activity.
§ 12. Which latter only are to be banished from ideal form.

Hence, then, be it observed, that what we must determinedly banish from the human form and countenance in our seeking of its ideal, is not everything which can be ultimately traced to the Adamite fall for its cause, but only the immediate operation and presence of the degrading power or sin. For there is not any part of our feeling of nature, nor can there be through eternity, which shall not be in some way influenced and affected by the fall, and that not in any way of degradation,cheap oil painting, for the renewing in the divinity of Christ is a nobler condition than ever that of Paradise, and yet throughout eternity it must imply and refer to the disobedience, and the corrupt state of sin and death, and the suffering of Christ himself, which can we conceive of any redeemed soul as for an instant forgetting, or as remembering without sorrow? Neither are the alternations of joy and such sorrow as by us is inconceivable, being only as it were a softness and silence in the pulse of an infinite felicity, inconsistent with the state even of the unfallen, for the angels who rejoice over repentance cannot but feel an uncomprehended pain as they try and try again in vain,oil paintings on canvas for sale, whether they may not warm hard hearts with the brooding of their kind wings. So that we have not to banish from the ideal countenance the evidences of sorrow, nor of past suffering, nor even of past and conquered sin, but only the immediate operation of any evil, or the immediate coldness and hollowness of any good emotion. And hence in that contest before noted, between the body and the soul, we may often have to indicate the body as far conquered and outworn, and with signs of hard struggle and bitter pain upon it, and yet without ever diminishing the purity of its ideal; and because it is not in the power of any human imagination to reason out or conceive the countless modifications of experience,modern art oil paintings, suffering, and separated feeling, which have modelled and written their indelible images in various order upon every human countenance, so no right ideal can be reached by any combination of feature nor by any moulding and melting of individual beauties together, and still less without model or example conceived; but there is a perfect ideal to be wrought out of every face around us that has on its forehead the writing and the seal of the angel ascending from the East, by the earnest study and penetration of the written history thereupon, and the banishing of the blots and stains, wherein we still see in all that is human, the visible and instant operation of unconquered sin. abstract art oil paintings