Tuesday, October 29, 2013

Its presence.—Salvator, Nicolo Poussin, Titian, Tintoret

In Salvator, the imagination is vigorous, the composition dextrous and clever, as in the St. Jerome of the Brera Gallery, the Diogenes of the Pitti, and the pictures of the Guadagni palace. All are rendered valueless by coarseness of feeling and habitual non-reference to nature. oil paintings online
All the landscape of Nicolo Poussin is imaginative, but the development of the power in Tintoret and Titian is so unapproachably intense that the mind unwillingly rests elsewhere. The four landscapes which occur to me as the most magnificently characteristic are, first, the Flight into Egypt, of the Scuola di San Rocco (Tintoret;) secondly, the Titian of the Camuccini collection at Rome, with the figures by John Bellini; thirdly, Titian's St. Jerome, in the Brera Gallery at Milan; and fourthly, the St. Pietro Martire, which I name last, in spite of its importance,abstract oil paintings on canvas, because there is something unmeaning and unworthy of Titian about the undulation of the trunks, and the upper part of it is destroyed by the intrusion of some dramatic clouds of that species which I have enough described in our former examination of the central cloud region, § 13. abstract oil paintings for sale
I do not mean to set these four works above the rest of the landscape of these masters; I name them only because the landscape is in them prominent and characteristic. It would be well to compare with them the other backgrounds of Tintoret in the Scuola, especially that of the Temptation and the Agony in [Page 160] the Garden, and the landscape of the two large pictures in the church of La Madonna dell' Orto. modern abstract art oil painting

No comments:

Post a Comment