The universal forces of nature, and the individual energies of the matter
submitted to them, are so appointed and balanced, that they are continually bringing out curves of this kind in all visible forms, and that circular lines
become nearly impossible under any circumstances. The gradual acceleration, for
instance, of velocity, in streams that descend from hill-sides, as it gradually
increases their power of erosion increases in the same gradual degree the rate
of curvature in the descent of the slope, until at a certain degree of steepness
this descent meets, and is concealed by the right line of the detritus. The
junction of this right line with the plain is again modified by the farther
bounding of the larger blocks, and by the successively diminishing proportion of
landslips caused by erosion at the bottom, so that the whole line of the hill is
one of curvature, first, gradually increasing in rapidity to the maximum
steepness of which the particular rock is capable, and then decreasing in a
decreasing ratio, until it arrives at the plain level. This type of form,
modified of course more or less by the original boldness of the mountain, and
dependent both on its age, its constituent rock, and the circumstances of its
exposure, is yet in its general formula applicable to all. So the curves of all
things in motion, and of all organic forms, most rudely and simply in the shell
spirals, and in their most complicated development in the muscular lines of the
higher animals. cheap oil paintings
This influence of apparent proportion, a proportion, be it observed, which
has no reference to ultimate ends, but which is itself, seemingly, the end and
object of operation in many of the forces of nature, is therefore at the root of
all our delight in any beautiful form whatsoever. For no form can be beautiful
which is not composed of curves whose unity is secured by relations of this
kind. cheap oil painting
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