There are also several lessons symbolically...

§ 52. There are also several lessons symbolically connected with this subject, which we must not allow to escape us. Observe, the peculiar characters of the grass, which adapt it especially for the service of man, are its apparent humility, andcheerfulness. Its humility, in that it seems created only for lowest service,—appointed to be trodden on, and fed upon. Its cheerfulness, in that it seems to exult under all kinds of violence and suffering. You roll it, and it is stronger the next day; you mow it, and it multiplies its shoots, as if it were grateful; you tread upon it, and it only sends up richer perfume. Spring comes, and it rejoices with all the earth,decorative painting,—glowing with varie gated flame of flowers,—waving in soft depth of fruitful strength. Winter comes, and though it will not mock its fellow plants by growing then, it will not pine and mourn, and turn colorless or leafless as they. It is always green; and is only the brighter and gayer for the hoar-frost.
§ 53. Now, these two characters—of humility, and joy under trial—are exactly those which most definitely distinguish the Christian from the Pagan spirit. Whatever virtue the pagan possessed was rooted in pride, and fruited with sorrow. It began in the elevation of his own nature; it ended but in the "verde smalto"—the hopeless green—of the Elysian fields. But the Christian virtue is rooted in self-debasement, and strengthened under suffering by gladness of hope. And remembering this, it is curious to observe how utterly without gladness the Greek heart appears to be in watching the flowering grass, and what strange discords of expression arise sometimes in consequence. There is one, recurring once or twice in Homer, which has always pained me. He says, "the Greek army was on the fields, as thick as flowers in the spring." It might be so; but flowers in spring time are not the image by which Dante would have numbered soldiers on their path of battle. Dante could not have thought of the flowering of the grass but as associated with happiness. There is a still deeper significance in the passage quoted, a little while ago, from Homer,art oil paintings for sale, describing Ulysses casting himself down on the rushes and the corn-giving land at the river shore,—the rushes and corn being to him only good for rest and sustenance,—when we compare it with that in which Dante tells us he was ordered to descend to the shore of the lake as he entered Purgatory, to gather a rush, and gird himself with it, it being to him the emblem not only of rest, but of humility under chastisement, the rush (or reed) being the only plant which can grow there;—"no plant which bears leaves, or hardens its bark, can live on that shore, because it does not yield to the chastisement of its waves." It cannot but strike the reader singularly how deep and harmonious a significance runs through all these words of Dante—how every syllable of them, the more we penetrate it, becomes a seed of farther thought! For, follow up this image of the girding with the reed, under trial, and see to whose feet it will lead us. As the grass of the earth, thought of as the herb yielding seed, leads us to the place where our Lord commanded the multitude to sit down by companies upon the green grass; so the grass of the waters, thought of as sustaining itself among the waters of affliction, leads us to the place where a stem of it was put into our Lord's hand for his sceptre; and in the crown of thorns, and the rod of reed, was foreshown the everlasting truth of the Christian ages—that all glory was to be begun in suffering, and all power in humility. oil painting on canvas for sale
Assembling the images we have traced, and adding the simplest of all, from Isaiah xl. 6., we find, the grass and flowers are types, in their passing, of the passing of human life, and, in their excellence, of the excellence of human life; and this in a twofold way; first, by their Beneficence, and then, by their endurance:—the grass of the earth, in giving the seed of corn, and in its beauty under tread of foot and stroke of scythe; and the grass of the waters, in giving its freshness for our rest, and in its bending before the wave.But understood in the broad human and Divine sense, the "herb yielding seed" (as opposed to the fruit-tree yielding fruit) includes a third family of plants, and fulfils a third office to the human race. It includes the great family of the lints and flaxes, and fulfils thus the three offices of giving food, raiment, and rest. Follow out this fulfilment; consider the association of the linen garment and the linen embroidery, with the priestly office, and the furniture of the tabernacle: and consider how the rush has been, in all time, the first natural carpet thrown under the human foot. Then next observe the three virtues definitely set forth by the three families of plants; not arbitrarily or fancifully associated with them, but in all the three cases marked for us by Scriptural words: where to buy oil paintings

1st. Cheerfulness, or joyful serenity; in the grass for food and beauty.—"Consider the lilies of the field, how they grow; they toil not, neither do they spin."
2nd. Humility; in the grass for rest.—"A bruised reed shall He not break."
3rd. Love; in the grass for clothing (because of its swift kindling),—"The smoking flax shall He not quench."

And then, finally, observe the confirmation of these last two images in, I suppose, the most important prophecy, relating to the future state of the Christian Church, which occurs in the Old Testament, namely, that contained in the closing chapters of Ezekiel. The measures of the Temple of God are to be taken; and because it is only by charity and humility that those measures ever can be taken, the angel has "a line of flax in his hand, and a measuring reed." The use of the line was to measure the land, and of the reed to take the dimensions of the buildings; so the buildings of the church, or its labors, are to be measured by humility, and its territory or land, by love. original oil paintings for sale

The limits of the Church have, indeed, in later days, been measured, to the world's sorrow, by another kind of flaxen line, burning with the fire of unholy zeal, not with that of Christian charity; and perhaps the best lesson which we can finally take to ourselves, in leaving these sweet fields of the mediæval landscape, is the memory that, in spite of all the fettered habits of thought of his age, this great Dante, this inspired exponent of what lay deepest at the heart of the early Church, placed his terrestrial paradise where there had ceased to be fence or division, and where the grass of the earth was bowed down, in unity of direction, only by the soft waves that bore with them the forgetfulness of evil. original oil paintings wholesale