§ 39. How far art is capable of helping us in such happiness we hardly yet
know; but I hope to be able, in the subsequent parts of this work, to give some
data for arriving at a conclusion in the matter. Enough has been advanced to
relieve the reader from any lurking suspicion of unworthiness in our subject, and to induce
him to take interest in the mind and work of the great painter who has headed
the landscape school among us. What farther considerations may, within any
reasonable limits, be put before him, respecting the effect of natural scenery
on the human heart, I will introduce in their proper places either as we
examine, under Turner's guidance, the different classes of scenery, or at the
close of the whole work; and therefore I have only one point more to notice
here, namely, the exact relation between landscape-painting and natural science,
properly so-called. modern abstract art oil painting
§ 40. For it may be thought that I have rashly assumed that the Scriptural
authorities above quoted apply to that partly superficial view of nature which
is taken by the landscape-painter, instead of to the accurate view taken by the
man of science. So far from there being rashness in such an assumption, the
whole language, both of the book of Job and the Sermon on the Mount, gives
precisely the view of nature which is taken by the uninvestigating affection of
a humble, but powerful mind. There is no dissection of muscles or counting of
elements, but the boldest and broadest glance at the apparent facts,oil paintings on canvas, and the
most magnificent metaphor in expressing them. "His eyes are like the eyelids of
the morning. In his neck remaineth strength, and sorrow is turned into joy
before him." And in the often repeated, never obeyed, command, "Consider the
lilies of the field," observe there is precisely the delicate attribution of
life which we have seen to be the characteristic of the modern view of
landscape,—"They toil not," There is no science, or hint of science; no counting
of petals, nor display of provisions for sustenance: nothing but the expression
of sympathy, at once the most childish, and the most profound,—"They toil
not." where to buy oil paintings
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