Tuesday, November 19, 2013

Such, then, being the characters required…

§ 25. Such, then, being the characters required in order to constitute high art, if the reader will think over them a little, and over the various ways in which they may be falsely assumed, he will easily perceive how spacious and dangerous a field of discussion they open to the ambitious critic, and of error to the ambitious artist; he will see how difficult it must be, either to distinguish what is truly great art from the mockeries of it, or to rank the real artists in any thing like a progressive system of greater and less. For it will have been observed that the various qualities which form greatness are partly inconsistent with each other (as some virtues are, docility and firmness for instance), and partly independent of each other; and the fact is, that artists differ not more by mere capacity, than by the component elements of their capacity, each possessing in very different proportions the several attributes of greatness; so that, classed by one kind of merit, as,oil paintings for sale, for instance, purity of expression, Angelico will stand highest; classed by another, sincerity of manner, Veronese will stand highest; classed by another, love of beauty, Leonardo will stand highest; and so on; hence arise continual disputes and misunderstandings among those who think that high art must always be one and the same, and that great artists ought to unite all great attributes in an equal degree. cheap oil paintings
§ 26. In one of the exquisitely finished tales of Marmontel, a company of critics are received at dinner by the hero of the story, an old gentleman, somewhat vain of his acquired taste,and his niece, by whose incorrigible natural taste, he is seriously disturbed and tormented. During the entertainment, "On parcourut tous les genres de littérature, et pour donner plus d'essor a l'érudition et à la critique, on mit sur le tapis cette question toute neuve, sçavoir, lequel méritoit le préference de Corneille ou de Racine. L'on disoit même là-dessus les plus belles choses du monde, lorsque la petite nièce, qui n'avoit pas dit un mot, s'avisa de demander naïvement lequel des deux fruits, de l'orange ou de la pêche, avoit le gout les plus exquis et méritoit le plus d'éloges. Son oncle rougit de sa simplicité, et les convives baissèrent tous les yeux sans daigner répondre à cette bêtise. Ma nièce, dit Fintac, a votre âge, il faut sçavoir écouter, et se taire."
I cannot close this chapter with shorter or better advice to the reader, than merely, whenever he hears discussions about the relative merits of great masters, to remember the young lady's question. It is, indeed, true that there is a relative merit, that a peach is nobler than a hawthorn berry, and still more a hawthorn berry than a bead of the nightshade; but in each rank of fruits, as in each rank of masters, one is endowed with one virtue, and another with another; their glory is their dissimilarity, and they who propose to themselves in the training of an artist that he should unite the coloring of Tintoret, the finish of Albert Durer, and the tenderness of Correggio, are no wiser than a horticulturist would be, who made it the object of his labor to produce a fruit which should unite in itself the lusciousness of the grape, the crispness of the nut, and the fragrance of the pine. art oil paintings

§ 27. And from these considerations one most important practical corollary is to be deduced, with the good help of Mademoiselle's Agathe's simile, namely, that the greatness or smallness of a man is, in the most conclusive sense, determined for him at his birth, as strictly as it is determined for a fruit whether it is to be a currant or an apricot. Education, favorable circumstances, resolution, and industry can do much; in a certain sense they do everything; that is to say, they determine whether the poor apricot shall fall in the form of a green bead, blighted by an east wind, shall be trodden under foot, or whether it shall expand into tender pride, and sweet brightness of golden velvet. But apricot out of currant,—great man out of small,—did never yet art or effort make; and, in a general way, men have their excellence nearly fixed for them when they are born; a little cramped and frost-bitten on one side, a little sun-burnt and fortune-spotted on the other, they reach, between good and evil chances, such size and taste as generally belong to the men of their calibre, and the small in their serviceable bunches, the great in their golden isolation, have, these no cause for regret, nor those for disdain. wholesale oil paintings

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