But even while such pictures were being painted, the spirit of
the Italian Renaissance was proving inadequate to life. This was not the fault
of the spirit, which was the spirit of youth. But youth cannot last more than a
certain length of time. No matter how it is spent, manhood and middle age will
come. Life began to show a sterner and more sober face than for a brief moment
it had seemed to wear. Men became conscious that the passions for knowledge,cheap oil paintings, for
glory, and for personal advancement were not at the bottom of all the problems
that life presented. Florence and Rome discovered this suddenly, and with a
shock. In the presence of Michelangelo's sculptures in San Lorenzo, or of his
"Last Judgment," we still hear the cry of anguish that went up as the inexorable
truth dawned upon them. But Venice,oil painting on canvas, although humiliated by the League of
Cambrai, impoverished by the Turk, and by the change in the routes of commerce,
was not crushed, as was the rest of Italy, under the heels of Spanish infantry,
nor so drained of resource as not to have some wealth still flowing into her
coffers. Life grew soberer and sterner, but it was still amply worth the living,
although the relish of a little stoicism and of earnest thought no longer seemed
out of place. The spirit of the Renaissance had found its way to Venice slowly;
it was even more slow to depart. reproduction oil paintings uk
We therefore find that toward the middle of the sixteenth century, when
elsewhere in Italy painting was trying to adapt itself to the hypocrisy of a
Church whose chief reason for surviving as an institution was that it helped
Spain to subject the world to tyranny, and when portraits were already
exhibiting the fascinating youths of an earlier generation turned into
obsequious and elegant courtiers,—in Venice painting kept true to the ripened
and more reflective spirit which succeeded to the most glowing decades of the
Renaissance. This led men to take themselves more seriously,oil paintings wholesale, to act with more
consideration of consequences, and to think of life with less hope and
exultation. Quieter joys were sought, the pleasures of friendship and of the
affections. Life not having proved the endless holiday it had promised to be,
earnest people began to question whether under the gross masque of the official
religion there was not something to console them for departed youth and for the
failure of hopes. Thus religion began to revive in Italy, this time not ethnic
nor political, but personal,—an answer to the real needs of the human soul. abstract art oil paintings
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