FIG. 44.—LUINI. DAUGHTER OF HERODIAS WITH HEAD OF JOHN THE
BAPTIST. UFFIZI.
The more prominent lights of the school were Salaino (fl. 1495-1518), of
whose work nothing authentic exists, Boltraffio (1467-1516), a painter of
limitations but of much refinement and purity, and Marco da Oggiono
(1470?-1530) a close follower of Leonardo. Solario(1458?-1515?) probably
became acquainted early with the Flemish mode of working practised by Antonello
da Messina, but he afterward came under Leonardo's spell at Milan. He was a
careful,oil painting online, refined painter, possessed of feeling and tenderness, producing
pictures with enamelled surfaces and much detail. Gianpietrino (fl.
1520-1540) and Cesare da Sesto (1477-1523?) were also of the Milanese
school, the latter afterward falling under the Raphael influence. Gaudenzio
Ferrara(1481?-1547?), an exceptionally brilliant colorist and a painter of
much dis tinction, was under Leonardo's influence at one
time, and with the teachings of that master he mingled a little of Raphael in
the type of face. He was an uneven painter,oil painting on canvas for sale, often excessive in sentiment, but at
his best one of the most charming of the northern painters.
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SODOMA AND THE SIENNESE: Sienna, alive in the fourteenth century to all that was stirring in art, in the fifteenth century was in complete eclipse, no painters of consequence emanating from there or being established there. In the sixteenth century there was a revival of art because of a northern painter settling there and building up a new school. This painter was Sodoma (1477?-1549). He was one of the best pupils of Leonardo da Vinci,abstract oil paintings for sale, a master of the human figure, handling it with much grace and charm of expression, but not so successful with groups or studied compositions, wherein he was inclined to huddle and over-crowd space. He was afterward led off by the brilliant success of Raphael, and adopted something of that master's style. His best work was done in fresco,cheap oil paintings on canvas, though he did some easel pictures that have darkened very much through time. He was a friend of Raphael, and his portrait appears beside Raphael's in the latter painter's celebrated School of Athens. The pupils and followers of the Siennese School were not men of great strength. Pacchiarotta (1474-1540?), Girolamo della Pacchia (1477-1535), Peruzzi (1481-1536), a half-Lombard half-Umbrian painter of ability, and Beccafumi (1486-1551) were the principal lights. The influence of the school was slight. original oil paintings wholesale
FERRARA AND BOLOGNESE SCHOOLS: The painters of these schools during the sixteenth century have usually been classed among the followers and imitators of Raphael, but not without some injustice. The influence of Raphael was great throughout Central Italy, and the Ferrarese and Bolognese felt it,modern oil paintings of flowers, but not to the extinction of their native thought and methods. Moreover, there was some influence in color coming from the Venetian school, but again not to the entire extinction of Ferrarese individuality. Dosso Dossi (1479?-1541), at Ferrara, a pupil of Lorenzo Costa, was the chief painter of the time, and he showed more of Giorgione in color and light-and-shade than anyone else, yet he never abandoned the yellows,oil paintings wholesale, greens, and reds peculiar to Ferrara, and both he and Garofolo were strikingly original in their background landscapes. Garofolo (1481-1559) was a pupil of Panetti and Costa, who made several visits to Rome and there fell in love with Raphael's work, which showed in a fondness for the sweep and flow of line, in the type of face adopted, and in the calmness of his many easel pictures. He was not so dramatic a painter as Dosso,dafen oil painting village, and in addition he had certain mannerisms or earmarks, such as sootiness in his flesh tints and brightness in his yellows and greens, with dulness in his reds. He was always Ferrarese in his landscapes and in the main characteristics of his technic. Mazzolino (1478?-1528?) was another of the school, probably a pupil of Panetti. He was an elaborate painter, fond of architectural backgrounds and glowing colors enlivened with gold in the high lights. Bagnacavallo (1484-1542) was a pupil of Francia at Bologna, but with much of Dosso and Ferrara about him. He, in common with Imola, already mentioned, was indebted to the art of Raphael. oil paintings for sale uk
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