THE NATURALISTS-THE LATE VENETIANS(ITALIAN PAINTING)

THE NATURALISTS: Contemporary with the Eclectics sprang up the Neapolitan school of the Naturalists, led by Caravaggio (1569-1609) and his pupils. These schools opposed each other, and yet influenced each other. Especially was this true with the later men, who took what was best in both schools. The Naturalists were, perhaps, more firmly based upon nature than the Bolognese Eclectics. Their aim was to take nature as they found it, and yet,oil painting for sale, in conformity with the extravagance of the age, they depicted extravagant nature. Caravaggio thought to represent sacred scenes more truthfully by taking his models from the harsh street life about him and giving types of saints and apostles from Neapolitan brawlers and bandits. It was a brutal, coarse representation,art oil paintings online, rather fierce in mood and impetuous in action, yet not without a good deal of tragic power. His subjects were rather dismal or morose, but there was knowledge in the drawing of them, some good color and brush-work and a peculiar darkness of shadow masses (originally gained from Giorgione), that stood as an ear-mark of his whole school. From the continuous use of black shadows the school got the name of the "Darklings," by which they are still known. Giordano(1632-1705), a painter of prodigious facility and invention, Salvator Rosa (1615-1673), best known as one of the early painters of landscape, and Ribera, a Spanish painter, were the principal pupils. canvas paintings for sale
THE LATE VENETIANS: The Decadence at Venice, like the Renaissance, came later than at Florence, but after the death of Tintoretto mannerisms and the imitation of the great men did away with originality. There was still much color left, and fine ceiling decorations were done, but the nobility and calm splendor of Titian's days had passed. Palma il Giovine (1544-1628) with a hasty brush produced imitations of Tintoretto with some grace and force,oil painting reproductions, and in remarkable quantity. He and Tintoretto were the most rapid and productive painters of the century; but Palma's was not good in spirit, though quite dashing in technic. Padovanino (1590-1650) was more of a Titian follower, but, like all the other painters of the time, he was proficient with the brush and lacking in the stronger mental elements. The last great Italian painter was Tiepolo(1696-1770),abstract art oil paintings, and he was really great beyond his age. With an art founded on Paolo Veronese, he produced decorative ceilings and panels of high quality, with wonderful invention, a limpid brush, and a light flaky color peculiarly appropriate to the walls of churches and palaces. He was, especially in easel pictures, a brilliant, vivacious brushman, full of dash and spirit, tempered by a large knowledge of what was true and pictorial. Some of his best pictures are still in Venice, and modern painters are unstinted in their praise of them. He left a son, Domenico Tiepolo (1726-1795), who followed his methods. In the late days of Venetian painting, Canaletto (1697-1768) and Guardi(1712-1793) achieved reputation by painting Venetian canals and architecture with much color effect. original oil paintings wholesale

FIG. 55.—CARAVAGGIO. THE CARD PLAYERS. DRESDEN.

NINETEENTH-CENTURY PAINTING IN ITALY: There is little in the art of Italy during the present century that shows a positive national spirit. It has been leaning on the rest of Europe for many years, and the best that the living painters show is largely an echo of Dusseldorf, Munich, or Paris. The revived classicism of David in France affected nineteenth-century painting in Italy somewhat. Then it was swayed by Cornelius and Overbeck from Germany. Morelli (1826-) shows this latter influence,oil paintings wholesale, though one of the most important of the living men.In the 1860's Mariano Fortuny, a Spaniard at Rome, led the younger element in the glittering and the sparkling, and this style mingled with much that is more strikingly Parisian than Italian, may be found in the works of painters like Michetti, De Nittis(1846-1884), Favretto, Tito, Nono, Simonetti, and others. oil paintings of nature