FIG. 48.—TITIAN. VENUS EQUIPPING CUPID. BORGHESE PAL.,
ROME.
That is not surprising, for Titian (1477-1576) was the painter easily first
in the whole range of Italian art. He was the first man in the history of
painting to handle a brush with freedom, vigor, and gusto. And Titian's
brush-work was probably the least part of his genius. Calm in mood, dignified,
and often majestic in conception, learned beyond all others in his craft, he
mingled thought, feeling, color,art oil painting for sale, brush-work into one grand and glowing whole. He
emphasized nothing, yet elevated everything. In pure intellectual thought he was
not so strong as Raphael. He never sought to make painting a vehicle for
theological, literary, or classical ideas. His tale was largely of humanity
under a religious or classical name, but a noble, majestic humanity. In his art
dignified senators, stern doges, and solemn ecclesiastics mingle with open-eyed
madonnas, winning Ariadnes, and youthful Bacchuses. Men and women they are
truly, but the very noblest of the Italian race, the mountain race of the Cadore
country—proud, active, glowing with life; the sea race of Venice—worldly wise,
full of character, luxurious in power. oil painting reproductions for sale
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In himself he was an epitome of all the excellences of painting. He was everything, the sum of Venetian skill, the crowning genius of Renaissance art. He had force, power, invention, imagination, point of view; he had the infinite knowledge of nature and the infinite mastery of art. In addition, Fortune smiled upon him as upon a favorite child. Trained in mind and hand he lived for ninety-nine years and worked unceasingly up to a few months of his death. His genius was great and his accomplishment equally so. He was celebrated and independent at thirty-five,oil painting on canvas for sale, though before that he showed something of the influence of Giorgione. After the death of Giorgione and his master, Bellini, Titian was the leader in Venice to the end of his long life, and though having few scholars of importance his influence was spread through all North Italian painting. cheap oil paintings for sale
Taking him for all in all, perhaps it is not too much to say that he was the greatest painter known to history. If it were possible to describe that greatness in one word, that word would be "universality." He saw and painted that which was universal in its truth. The local and particular, the small and the accidental, were passed over for those great truths which belong to all the world of life. In this respect he was a veritable Shakespeare, with all the calmness and repose of one who overlooked the world from a lofty height. abstract oil paintings for sale
FIG. 49.—TINTORETTO. MERCURY AND GRACES. DUCAL PAL.,
VENICE.
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The restfulness and easy strength of Titian were not characteristics of his follower Tintoretto (1518-1592). He was violent, headlong, impulsive, more impetuous than Michael Angelo, and in some respects a strong reminder of him. He had not Michael Angelo's austerity, and there was more clash and tumult and fire about him, but he had a command of line like the Florentine, and a way of hurling things, as seen in the Fall of the Damned, that reminds one of the Last Judgment of the Sistine. It was his aim to combine the line of Michael Angelo and the color of Titian; but without reaching up to either of his models he produced a powerful amalgam of his own. where to buy oil paintings
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