Technically he adopted the oil medium brought to Venice by Antonello da
Messina, introducing scumbling and glazing to obtain brilliancy and depth of
color. Of light-and-shade he was a master, and in atmosphere excellent. He, in
common with all the Venetians, is sometimes said to be lacking in drawing, but
that is the result of a misunderstanding. The Venetians never cared to accent
line, choosing rather to model in masses of light and shadow and color.
Giorgione was a superior man with the brush, but not quite up to his
contemporary Titian. cheap oil paintings
That is not surprising, for Titian (1477-1576) was the painter easily first
in the whole range of Italian art. He was the first man in the history of
painting to handle a brush with freedom, vigor, and gusto. And Titian's
brush-work was probably the least part of his genius. Calm in mood, dignified,
and often majestic in conception, learned beyond all others in his craft, he
mingled thought, feeling, color,art oil painting for sale, brush-work into one grand and glowing whole. He
emphasized nothing, yet elevated everything. In pure intellectual thought he was
not so strong as Raphael. He never sought to make painting a vehicle for
theological, literary, or classical ideas. His tale was largely of humanity
under a religious or classical name, but a noble, majestic humanity. In his art
dignified senators, stern doges, and solemn ecclesiastics mingle with open-eyed
madonnas, winning Ariadnes, and youthful Bacchuses. Men and women they are
truly, but the very noblest of the Italian race, the mountain race of the Cadore
country—proud, active, glowing with life; the sea race of Venice—worldly wise,
full of character, luxurious in power. oil painting reproductions for sale
In himself he was an epitome of all the excellences of painting. He was
everything, the sum of Venetian skill, the crowning genius of Renaissance art.
He had force, power, invention, imagination, point of view; he had the infinite
knowledge of nature and the infinite mastery of art. In addition, Fortune smiled
upon him as upon a favorite child. Trained in mind and hand he lived for
ninety-nine years and worked unceasingly up to a few months of his death. His
genius was great and his accomplishment equally so. He was celebrated and
independent at thirty-five,oil painting on canvas for sale, though before that he showed something of the
influence of Giorgione. After the death of Giorgione and his master, Bellini,
Titian was the leader in Venice to the end of his long life, and though having
few scholars of importance his influence was spread through all North Italian
painting. cheap oil paintings for sale
Taking him for all in all, perhaps it is not too much to say that he was the
greatest painter known to history. If it were possible to describe that
greatness in one word, that word would be "universality." He saw and painted
that which was universal in its truth. The local and particular, the small and
the accidental, were passed over for those great truths which belong to all the
world of life. In this respect he was a veritable Shakespeare, with all the
calmness and repose of one who overlooked the world from a lofty height. abstract oil paintings for sale
The restfulness and easy strength of Titian were not characteristics of his
follower Tintoretto (1518-1592). He was violent, headlong, impulsive, more impetuous
than Michael Angelo, and in some respects a strong reminder of him. He had not
Michael Angelo's austerity, and there was more clash and tumult and fire about
him, but he had a command of line like the Florentine, and a way of hurling
things, as seen in the Fall of the Damned, that reminds one of the Last Judgment
of the Sistine. It was his aim to combine the line of Michael Angelo and the
color of Titian; but without reaching up to either of his models he produced a
powerful amalgam of his own. where to buy oil paintings
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