As a contributor to the progress of the art of painting he is credited by
Vasari with two innovations, which may be seen in his paintings in the church of
San Domenico at Prato, namely (1) the figures being larger than life, and
thereby forming an example to later artists for giving true grandeur to large
figures; and (2) certain figures clothed in vestments but little used at that
time,abstract oil painting, whereby the minds of other artists were awakened and began to depart from
that sameness which should rather be called obsolete monotony than antique
simplicity.
It is noticeable that despite his bad character—which is said to have been
the cause of his death by poison—all his work was in religious subjects. He was
painting the chapel in the Church of Our Lady at Spoleto when, in 1469, he
died.
Paolo Uccello, as he was called, was born at
Florence in 1397, and died there in 1475. His real name was Paolo di Dono, but
he was so fond of painting animals and birds—especially the latter—that he
officially signed himself as Paolo Uccello. He devoted so much of his time,
however, to the study of perspective,art oil paintings online, that both his life and his work suffered
thereby. His wife used to relate that he would stand the whole night through
beside his writing table, and when she entreated him to come to bed, would only
say, "Oh, what a delightful thing is this perspective!" Donatello, the sculptor,
is said to have told him that in his ceaseless study of perspective he was
leaving the substance for the shadow; but Donatello was not a painter. reproduction oil paintings for sale
Before his time the painters had not studied the question of perspective scientifically.
Giotto had made no attempt at it, and Masaccio only came nearer to realising it
by chance. Brunelleschi, the architect, laid down its first principles, but it
was Uccello who first put these principles into practice in painting, and
thereby paved the way for his successors to walk firmly upon. where to buy oil paintings
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