Wednesday, March 19, 2014

At the same time the difference

At the same time the difference in circumstances, the fuller, richer life that he must have led in these years of patronage and prosperity, accounts for a 90certain "shallowness and complacency" which distinguishes his work during this period as sharply from that which preceded as from that which followed it; and fine as is his accomplishment during these years, especially in portraiture, it includes fewer of those masterpieces which appeal to the heart as much as to the eye. oil paintings for sale
To 1538 belongs the large and beautiful picture of the Presentation of the Virgin Mary in the Temple, painted for the Scuola della Carità in Venice, which is now occupied by the Academy, where it still hangs, as is said, in its original place. It is twenty-two feet in length, and contains several portraits, among which are those of his daughter Lavinia (the Virgin, as is supposed), Andrea Franchescini, grand chancellor of Venice, in a scarlet robe; next him, in black, Lazzaro Crasso, a lawyer, and certain monks of the convent following them. cheap oil paintings
We now find Titian employed by the Duke of Urbino on some of the principal works of this period. Among these were the Uffizi Venus, said to be a portrait of the Duchess herself. The Girl in a Fur Mantleat Vienna, portraits of the Duke and of the Duchess (1537), and the so-called La Bella at the Uffizi. The so-called Duke of Norfolk at the Pitti, supposed to represent the young Duke Guidobaldo of Urbino. Also the Isabella d'Este at Vienna, and somewhat earlier, theCardinal Ippolito in Hungarian dress, at the Pitti; and the Daughter of Robert Strozzi, at Berlin. art oil paintings online

The large Ecce Homo in the Vienna Gallery, dated 1543, measuring 11 ft. 3 in. by 7 ft. 7 in. was for some years in London, and with better fortune might still be in this country if not in our national collection. It91 was one of the nineteen pictures by Titian in the wonderful collection of Rubens, which the Duke of Buckingham persuaded him to sell to him for a fabulous price. The collection was shipped to England in 1625, when the pictures were taken to York House in the Strand, and the statues and gems to Chelsea. In 1649 a portion of the collection was sold at Brussels, and the Ecce Homo was purchased there by the Archduke Leopold for his gallery at Prague,where to buy oil paintings, which now forms part of that at Vienna. The Earl of Arundel offered the Duke of Buckingham£7000 for it—an unheard of price, especially when we remember the greater value of money at that time.

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