He was never an artist elaborate(BRITISH PAINTING)

Romney (1734-1802), a pupil of Steele, was often quite as masterful a portrait-painter as either Reynolds or Gainsborough. He was never an artist elaborate in composition, and his best works are bust-portraits with a plain background. These he did with much dash and vivacity of manner. His women, particularly, are fine in life-like pose and winsomeness of mood. He was a very cunning observer, and knew how to arrange for grace of line and charm of color. Single Piece Paintigns

After Romney came Beechey (1753-1839), Raeburn (1756-1823),Opie(1761-1807), and John Hoppner (1759-1810). Then followedLawrence (1769-1830), a mixture of vivacious style and rather meretricious method. He was the most celebrated painter of his time, largely because he painted nobility to look more noble and grace to look more gracious. Fond of fine types, garments, draperies, colors,oil painting for sale, he was always seeking the sparkling rather than the true, and forcing artificial effects for the sake of startling one rather than stating facts simply and frankly. He was facile with the brush, clever in line and color, brilliant to the last degree, but lacking in that simplicity of view and method which marks the great mind. His composition was rather fine in its decorative effect, and, though his lights were often faulty when compared with nature,abstract oil paintings, they were no less telling from the stand-point of picture-making. He is much admired by artists to-day, and, as a technician, he certainly had more than average ability. He was hardly an artist like Reynolds or Gainsborough, but among the mediocre painters of his day he shone like a star. It is not worth while to say much about his contemporaries.Etty (1787-1849) was one of the best of the figure men, but his Greek types and classic aspirations grow wearisome on acquaintance; and Sir Charles Eastlake (1793-1865), though a learned man in art and doing great service to painting as a writer, never was a painter of importance.oil paintings on canvas

William Blake (1757-1827) was hardly a painter at all, though he drew and colored the strange figures of his fancy and cannot be passed over in any history of English art. He was perhaps the most imaginative artist of English birth, though that imagination was often disordered and almost incoherent. He was not a correct draughtsman,large oil paintings for sale, a man with no great color-sense, and a workman without technical training; and yet, in spite of all this, he drew some figures that are almost sublime in their sweep of power. His decorative sense in filling space with lines is well shown in his illustrations to the Book of Job. In grace of form and feeling of motion he was excellent. Weird and uncanny in thought, delving into the unknown, he opened a world of mystery, peopled with a strange Apocalyptic race, whose writhing, flowing bodies are the epitome of graceful grandeur. oil paintings for sale online

FIG. 97.—CONSTABLE. CORN FIELD. NAT. GAL. LONDON.

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GENRE-PAINTERS: From Blake to Morland (1763-1804) is a step across space from heaven to earth. Morland was a realist of English country life, horses at tavern-doors, cattle, pigs. His life was not the most correct, but his art in truthfulness of representation, simplicity of painting, richness of color and light, was often of a fine quality. As a skilful technician he stood quite alone in his time, and seemed to show more affinity with the Dutch genre-painters than his own countrymen. His works are much prized to-day, and were so during the painter's life. oil paintings wholesale