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Thursday, December 5, 2013
There is not, however, any question
§ 3. There is not, however, any question, but that both Scott and Wordsworth
are here mistaken in their analysis of their feelings. Their delight, so far
from being without thought, is more than half made up of thought, but of thought
in so curiously languid and neutralized a condition that they cannot trace it.
The thoughts are beaten to a powder so small that they know not what they are;
they know only that in such a state they are not good for much, and disdain to
call them thoughts. But the way in which thought, even thus broken, acts in
producing the delight will be understood by glancing back to §§ 9. and 10. of
the tenth chapter, in which we observed the power of the imagination in exalting
any visible object, by gathering round it, in farther vision, all the facts
properly connected with it; this being, as it were,cheap oil paintings, a spiritual or second sight,
multiplying the power of enjoyment according to the fulness of the vision. For,
indeed, although in all lovely nature there is, first, an excellent degree of
simple beauty, addressed to the eye alone, yet often what impresses us most will
form but a very small portion of that visible beauty. That beauty may, for
instance, be composed of lovely flowers and glittering streams, and blue sky,
and white clouds; and yet the thing that impresses us most, and which we should
be sorriest to lose, may be a thin grey film on the extreme horizon, not so
large, in the space of the scene it occupies, as a piece of gossamer on a near
at hand bush, nor in any wise prettier to the eye than the gossamer; but,
because the gossamer is known by us for a little bit of spider's work, and the
other grey film is known to mean a mountain ten thousand feet high, inhabited by
a race of noble mountaineers, we are solemnly impressed by the aspect of it; and
yet, all the while the thoughts and knowledge which cause us to receive this
impression are so obscure that we are not conscious of them; we think we are
only enjoying the visible scene;and the very men whose minds are fullest of such
thoughts absolutely deny, as we have just heard, that they owe their pleasure to
anything but the eye, or that the pleasure consists in anything else than
"Tranquillity." abstract oil paintings
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