You will pardon me, I hope, if I leave the more technical details of my
subject for a moment that I may discuss with you one of the peculiarities of the
so-called art-loving public of to-day, notably that section which insists that
no picture should tell a story of any kind. abstract oil painting
To my own mind this picture of Luke Fildes reaches high-water mark in the
school of his time, and yet in watching as I have done the crowds who surge
through the Tate Galleries and the National Gallery, it is an almost every-day
occurrence to overhear such contemptuous remarks as "Oh, yes, one of those
literary fellows," drop from the lips of some highbrow who only tolerates Constable because of the
influence his example and work had on Corot and other men of the Barbizon
school.
Another section lose their senses over pure brush work. reproduction oil paintings uk
A story of Whistler—one he told me himself—will illustrate what I mean. Jules
Stewart's father, a great lover of good pictures and one of Fortuny's earliest
patrons, had invited Whistler to his house in Paris to see his collection, and
in the course of the visit drew from a hiding-place a small panel of
Meissonier's, of a quality so high that any dealer in Paris would have given him
$30,000 for it.
Whistler would not even glance at it.
Upon Stewart insisting, he adjusted his monocle and said: "Oh, yes, very
good—snuff-box style."
This affectation was to have been expected of Whistler because of his
aggressive mental attitude toward the work of any man who handled his brush differently from his
own personal methods, but saner minds may think along broader lines. canvas paintings for sale
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